Dr. Hellmuth course on panoramic digital photography.
Professor Nicholas Hellmuth will now be offering courses and training on fundamentals of panorama photography including large format digital panorama photography. These panorama photography courses will be available during the summer in Guatemala and during other times of the year at Bowling Green State University, Ohio.
These are hands-on courses with limited classroom size. Several panorama cameras are available: two top of the line digital panorama cameras from BetterLight and one from Seitz, the Seitz SuperRound Shot 70mm.
Students will work in groups of two for maximum practice together with an instructor.
Although it helps to have a knowledge of Photoshop beforehand, under some circumstances we can provide Photoshop training as an additional course concurrent with the panorama course.
This course is suitable for any individual, of any age or background, who wishes to learn about digital imaging and panorama photography.
Naturally this course is especially appropriate for architects, photographers, graphic designers, artists, architectural historians, art historians, archaeologists or students of these disciplines.
DR Nicholas Hellmuth is an architectural historian of pre-Columbian Maya pyramid, temple, palace, and ballcourt architecture who specializes in large format photography of these buildings throughout Mexico, Belize, Guatemala, and Honduras. This program is sponsored by FLAAR Digital Imaging Technology Center at the Francisco Marroquin University. Professor Hellmuth has done research at the Museo Popol Vuh on the campus of this university for many years.
The course will take advantage of the natural scenery of Guatemala, especially the tropical beauty of the highland mountains and the volcanic cones which dramatize the skylines in panorama photography. We will also do urban landscapes in the nicest portions of Zone 10, Vista Hermosa, and the airport area to show off the striking modern architecture of this expanding city. Field trips will include excursions to Antigua, the Spanish colonial ruins about one hour from the city. We will also photograph Lake Atitlan, whose volcano-rimmed shores make it often considered the most beautiful lake in Latin America.
The designations "introduction" and "advanced" explain the nature of this course. Introduction implies that common sense and a good photographic eye are the most useful prerequisites.
"Advanced" means the students will learn the absolute latest technological advances in panorama photography, namely seamless digital photography. A large format digital scan back rotates on a computer-controlled panorama head. One complete vertical pixel column is taken with each "shot." Up to 29,999 pixel columns can be taken in automatic sequence (Adobe Photoshop can't open a digital image larger than 30,000 pixels). The average file is about 280 MB to 600 MB of true optical data (no interpolation).
This course will involve large format inkjet digital printing since the panoramas lend themselves to giant mural-sized enlargements. Indeed the best student and faculty photographs will be offered to large format printer manufacturers for them to consider using these images to showcase the quality of the large format printers at trade shows.
This course is especially suitable for architectural students, architectural history as well as for anyone wishing to learn digital photography. This course is also suitable for individuals who are already professional photographers as well as hobby photographers who wish to have some experience using professional equipment.
Individuals with considerable interest but less experience are also welcome, indeed they will be offered private instruction to bring them up to speed. This class of individual and this class of assistance, however, should be reserved for people who sign up as benefactor, sponsor, or patron.
Students will work together in teams of two with their own personal instructor. DR Hellmuth will give the initial lectures on the overall system and will supervise the training. Instructors may include Jeancarlo Saenz, with technical assistance by Marlon Castillo. Assistance in handling Adobe Photoshop will be provided by Elsa Morales, Andres Prera, and/or Vinicio Guzman.
Focus will be on visual communications of natural and urban landscapes.
The following syllabus is tentative and will be altered to suit the developing circumstances.
Session 1: Welcome and introduction to wide angle and panorama photography in the first century of photography. Introduction to Adobe Photoshop software. Introduction to the cameras that you will get to know.
Session 2: review of the traditional panorama cameras of the 1950's into the 1980's.
Practice: Session 3: Perspective control and movements, the downside of small format cameras which lack these movements: Traditional wide angle photography with conventional cameras: Nikon 15mm, Hasselblad SuperWide, and other cameras. The need for QTVR when you don't have seamless system.
Practice: Session 4: Perspective control and movements with 4x5 cameras with wide angle lenses, etc.
Practice: Session 5: Introduction to computerized panorama cameras: Seitz 70mm and then the newer BetterLight digital pano system. Photography on location: panoramas of the UFM campus
Practice: Session 6: Photography on location: wide angle panoramas of the UFM campus
Practice: Session 7: Photography on location: panoramas of a courtyard aspect of the UFM campus
Practice Session 8: Photography on location: panoramas of an interior scene on the UFM campus
Session 9: Critique of student photography work done to date
Practic: Session 10: Photography on location: panoramas of an interior situation in the Museo Ixchel.
Practice Session 11: Photography on location: panoramic close-up inside the Museo Popol Vuh
Practice Session 12: Photography on location: panoramas within an urban courtyard in Zona 10 or VistaHermosa
Practice Session 13: Photography on location: panoramas of an urban landscape of skyscrapers in Zona 10 or VistaHermosa, especially from the hills looking down on VistaHermosa office buildings and tall apartments.
Practice Session 14: Photography on location: panoramas of an colonial situation in Antigua or nearby. We many add additional sessions for Antigua if weather and conditions permit.
Practice Session 15: Photography on location: panoramas of a landscape such as Lake Atitlan. We may add additional sessions for Antigua if weather and conditions permit.
Practice Session 16: Critique of student photography work
The above list will be adapted to the weather. The canicula should result in pleasant weather. The idea is that 2 students will work in the morning sunlight; 2 other students in the afternoon. It is not possible to photograph with digital system at night.
Textbook: one on digital photography, one on large format camera movements. No textbook that we know of exists of panorama photography, so we will prepare our own.
Library would need a few pertinent books on panorama photographs such as by Will Landon and Stephen Johnson. Would need to subscribe to present and recent back issues of the magazine of the panorama photographers group.
Tutoring in Adobe Photoshop: if your skills in Photoshop are minimal, or if this is your first time, we will need to provide remedial and/or basic Photoshop training to you. Usually such a course costs up to $900 in the USA. Cost via UFM should be $100 to $300 depending on the level you wish to achieve and depending on how much personal attention our staff needs to dedicate you to teach you Photoshop quickly and thoroughly. If you need tutoring in Photoshop you will also need to purchase the pertinent books which we will recommend.
Tuition: insurance surcharge to be determined. In order to insure the cameras an insurance surcharge would be necessary. Any student that breaks a camera due to accident, even if not negligent, will be responsible for repair costs. Damage, as opposed to thievery is not necessarily covered by insurance.
If you wish to sponsor this new course, your contributions are welcome. Benefactors, sponsors, patrons (including architects, photographers, faculty who wish to make a contribution) who wish to take this course as well as to simultaneously contribute to the growth of the digital imaging program at UFM is: Benefactor, $2,000; sponsor $3,000; Patron $4,000.
A corporation may make the payment in the name of any person for any level of attendance. Some people might be more willing to be benefactor, sponsor or patron if their company can pay that sum.
Scholarships should please potentially be available for a limited number of personnel of the IDAEH and Museo Nacional.
Lab costs: any printing of results would result in student covering the basic cost of ink and media. Transportation costs are not included.
All photographs which result from use of FLAAR equipment are automatically copyright by FLAAR but with credit given to the student(s). If any photographs result from this course that can be commercialized, 25% commission goes to student, 25% to UFM, 25% to the Centro Digital, and 25% to FLAAR.
Most recently updated
Updated July 3, 2003. Design updated 26/06/2008.