FLAAR initiates evaluation of the Epson Stylus Pro 4800 for fine art digital photography.

This summer the staff of FLAAR and Bowling Green State University will be testing the Epson Stylus Pro 4800 in the art department next door to us, evaluating the Epson Stylus Pro 7800 in our own facilities, and continuing our review of the Epson Stylus Pro 9800 at Fine Art Impressions, an elite commercial giclee atelier in Charlotte , NC .

We have experience with the Epson 7500, Epson 7600, Epson 5500, and several earlier Epson printers from the late 1990’s (such as the Epson 1520 which we try to forget). We have noticed that Epson printers get better every generation, and hence with each new model their actual performance comes closer to the claims in the advertisements.

The issue that is most commonly reported by others is deliberately excessive ink usage, so we will check this, and will go over all the product specifications and see which are advertising claims are acceptable.

FLAAR is a research institute dedicated to fine art photography, so we have plenty of experience with quality. The Center for Applied Technology at BGSU prints giclee for artists throughout Ohio as well as scanning paintings for artists elsewhere in the US, since FLAAR is one of the few places at a university that has a Cruse scanner for giclee.

Nicholas recently acquired a Canon EOS 5D, so that is another source of test images. Naturally we would tend to test a Canon-produced digital photo on a Canon imagePROGRAF iPF 5000 , iPF 6000, iPF 8000 or Canon iPF 9000 printer, but since we have only HP, Mimaki, and Epson printers, these are the ones we will focus on.

Other printers of interest to digital photographers and giclee artists would be HP 8750 and the HP B9180.

Plus, since Sept 26 th, two new fine art photography printers have been introduced simultaneously at SGIA trade show in the US and at Photokina in Germany . These are the HP DesignJet Z2100 and Z3100. We will discuss their impressive features as soon as they are officially presented.

Every several years there is either a new Canon iPF printer or a new Epson or a new HP water-based printer. It is hard to keep track of the advances in inks and color management features. FLAAR is keeping track by visiting printshops around the world that have these various brands. Each brand has its good points and a few issues and an occasional deficiency.             

 Since FLAAR itself does not sell printers, for you to find out information on prices and availability of each model that can print digital photographs well, we suggest you contact a company that offers all three brands: Canon, HP, and Epson.  This way they are not going to push just one brand because they offer all three. Plus you need a company that has plenty of experience with photographs and photo labs.One company that we know is LexJet. Dr Hellmuth has visited their national headquarters twice. LexJet sells all across the USA and to Latin America as well. Contact info is sales@lexjet.com.

 

First posted May 12, 2006.

Compare prices; is it best to buy by lowest price comparison?  Your best deal is to buy from a respectable printer dealer who can provide tips and assistance. LexJet is among several places we know that offer Epson Stylus Pro printers. They can be reached at sales@LexJet.com. Buying from a box-pusher, gray market, and other dubious outlets is not always a clever idea. We have visited LexJet headquarters several times and have visited their booth at key trade shows. Their other advantage is that they offer all three major brands: Epson, Canon, and HP. So they do not need to push you into only one brand.  Plus LexJet knows eco-solvent and UV-cured as well (which FLAAR covers on www.large-format-printers.org).

The complete FLAAR Reports are in full-color PDF format. Our institute has comprehensive FLAAR Reports on over 73 different wide format inkjet printers, RIP software, color management, scanners, digital cameras and on countless markets such as wide format inkjet printers for photography, giclee, proofing, CAD, GIS, graphic design, signs, and specialty applications too. All FLAAR Reports by Dr Nicholas Hellmuth and his team are available on Wide-format-printers.NET.

 

Untitled Document

Creating HDR with Photoshop HDR in photoshop CS3 Creating HDR with Photomatix and photoshop
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Gitzo Tele Studex Tripod
Available by october 2008
Gitzo Tele Studex Tripod
Available by octuber 2008
Gitzo Tele Studex Tripod
Available by october 2008
Gitzo Tele Studex Tripod
Available by october 2008
Gitzo Tele Studex Tripod
Available by october 2008

 

Nicholas Hellmuth’s Medium Format Digital Camera Initiative

For over 40 years Nicholas Hellmuth has used Rolleiflex and Hasselblad cameras to record the flora, fauna, and archaeology of Belize, Guatemala, Honduras, and Mexico. Now for several years he is extending his medium format experience to digital photography.

Since FLAAR works both in a studio as well as out on location, we are an ideal focus for judging portability. We have experience with large format digital scan backs (the excellent BetterLight) and we also use Nikon and Canon digital cameras. A full-service digital pro should have at least one medium format digital system and should consider large format digital options as well.

Although we started with a Leaf Valeo 22 coupled with a Mamiya 645 AFD body and lenses, we are open to showcasing all bodies as well as other digital backs. Indeed we have tested an Imacon 4-shot back on a Hasselblad H1 body. Then (February 2006 onwards) we are evaluated a MegaVision black-and-white dedicated back for fine art photography. Next we are testing a 33-megapixel Phase One P 30. Since 2008 FLAAR has used a Phase One P25+ (a great way to update an aging Hasselblad ELX body with its excellent Zeiss lenses).

Camera resellers or manufacturers who wish to have their cameras, lenses, and backs included in this initiative are welcome to send their equipment for evaluation.

FLAAR is the de facto source of information because we have been university based, independent, blunt, and we are one of the few review sources that dares to review advertising specs, advertising claims, and advertising hype. We can afford to reveal all the pros and cons because FLAAR is a research institute. Photographers feel they can trust a university research professor who has devoted years to understanding the pros and cons of each aspect of a digital camera system and workflow.

Notice you are not blinded by blinking, flashing, or pesty ads for low-bid camera stores on a FLAAR photography review. I am always amused by a pseudo-review that obviously is simply paid to send you to a camera store.

You can download our colorful FLAAR Reports on our medium format digital camera initiative.

 

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